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As he sees it though, the means to combat all of this are rooted in community, in throwing away the meaningless and cutting spite and division out of lives (advice given on the street corner yell of Change) before rescuing those who’ve slipped between the cracks and lifting them up (Out On The Street, its scouse-psych overtones handed down through generations of the city’s best like an heirloom). Whatever the story, there’s much of the past in his music, a conscious anachronism in an era when the present is constantly trying to erase itself. It has similar origins to Diamonds in the Mud by Gerry Cinnamon but without the specifics towards the certain place. The message of hope is an important one that should resonate with everyone who is struggling through these strange times.This amount includes seller specified domestic postage charges as well as applicable international postage, dispatch, and other fees. Our would-be everyman’s also astute enough to understand that the whole thing is rigged against the common man, beginning a song cycle with the words of Living For Yesterday’s man-trap of avaricious consumerism, before offering the hedonism of Weekend In Paradise as the escape route from downpours, debt and drudgery. The Joker’ tells a story of loss, with the lyrical content being placed front-and-centre, and only simple accompanying guitar instrumentation. Sitting around the middle of the album is Somethings Gotta Give talking about the harsh realities of life. Continuing the story from the rock-and-roll records that spilled from the docks into the arms of waiting beat groups, the hopeful indie-pop of the 80s that faced-down Thatcher’s cruelty and the Merseypsych boom of the ‘shroomy 2000’s, Webster sings his city to tell a story of our times.

The first song on the album is Down The Road, it gives you a clear impression of the style of music that Webster is going to grace the listener with through this album. Two years later we made the move to our present address, 35 The Headrow, where we have remained ever since. The positioning of the songs in the album compliments his music well as it doesn’t give the listener the feeling that they are listening to the same song on repeat which can be found with a number of artists.It has an acoustic start with a slow tempo which takes a complete turn when an unsuspecting tempo change hits the listener taking away a sense of predictability that might be expected from this genre of music. But listeners will struggle to find a more heartfelt tribute to a home than This Place, the reassuring feel everyone gets whenever a front door is opened set to words, little parochialisms and love wrapped into infectious togetherness, optimism and hope.